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Anatolia was home to a large number of polities in the medieval period. Given its location at the geographical and chronological juncture between Byzantines and the Ottomans, its story tends to be read through the Seljuk experience. This obscures the multiple experiences and spaces of Anatolia under the Byzantine empire, Turko-Muslim dynasties contemporary to the Seljuks, the Mongol Ilkhanids, and the various beyliks of eastern and western Anatolia.
This book looks beyond political structures and towards a reconsideration of the interactions between the rural and the urban; an analysis of the relationships between architecture, culture and power; and an examination of the region's multiple geographies. In order to expand historiographical perspectives it draws on a wide variety of sources (architectural, artistic, documentary and literary), including texts composed in several languages (Arabic, Armenian, Byzantine Greek, Persian and Turkish). Original in its coverage of this period from the perspective of multiple polities, religions and languages, this volume is also the first to truly embrace the cultural complexity that was inherent in the reality of daily life in medieval Anatolia and surrounding regions.
Architecture, Medieval --- Landscapes --- Turkey. --- Turkey --- Asie Mineure --- History --- Histoire --- Architecture, medieval --- Architecture, medieval. --- Landscapes. --- Architektur. --- To 1500. --- Anatolien. --- Civilization --- Ethnic relations --- Religion --- History of Asia --- architecture [discipline] --- Medieval [European] --- landscapes [environments] --- Architecture --- History of Southern Europe --- anno 1100-1199 --- anno 1200-1499 --- Asian Turkey --- Religion. --- Middle Ages --- Countryside --- Landscape --- Natural scenery --- Scenery --- Scenic landscapes --- Nature --- To 1500 --- Architecture, Medieval - Turkey --- Landscapes - Turkey - To 1500 --- Turkey - History - To 1453
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Architects and builders. --- Castles --- Châteaux --- Feudal castles --- Architecture --- Architecture, Medieval --- Fortification --- Builders and architects --- Construction industry --- Design and construction --- History. --- Private houses --- castles [fortifications] --- anno 500-1499 --- Europe. --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Castells
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Architecture --- Social geography --- History of civilization --- History of Europe --- human geography --- Medieval styles and periods --- architecture [object genre] --- anno 500-1499 --- Architecture, Medieval --- Historic buildings --- Historic houses, etc. --- Historical buildings --- Buildings --- Monuments --- Historic sites --- Middle Ages
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These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' ( fecit ). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole. Contributors are Mickey Abel, Glaire D. Anderson, Jane L. Carroll, Nicola Coldstream, María Elena Díez Jorge, Jaroslav Folda, Alexandra Gajewski, Loveday Lewes Gee, Melissa R. Katz, Katrin Kogman-Appel, Pierre Alain Mariaux, Therese Martin, Eileen McKiernan González, Rachel Moss, Jenifer Ní Ghrádaigh, Felipe Pereda, Annie Renoux, Ana Maria S. A. Rodrigues, Jane Tibbetts Schulenburg, Stefanie Seeberg, Miriam Shadis, Ellen Shortell, Loretta Vandi, and Nancy L. Wicker.
Art --- Sociology of the family. Sociology of sexuality --- anno 500-1499 --- Art, Medieval. --- Architecture, Medieval. --- Women artists --- Women art patrons --- Art and society --- Architecture and society --- Architecture --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Art and sociology --- Society and art --- Sociology and art --- Art patrons --- Women benefactors --- Artists, Women --- Women as artists --- Artists --- Middle Ages --- Medieval art --- History --- Social aspects --- Human factors --- Art médiéval --- Architecture médiévale --- Femmes artistes --- Femmes mécènes --- Art et société --- Architecture et société --- Histoire --- Architecture, Medieval --- Art, Medieval
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In this volume, the authors bring fresh approaches to the subject of royal and noble households in medieval and early modern Europe. The essays focus on the people of the highest social rank: the nuclear and extended royal family, their household attendants, noblemen and noblewomen as courtiers, and physicians. Themes include financial and administrative management, itinerant households, the household of an imprisoned noblewoman, blended households, and cultural influence. The essays are grounded in sources such as records of court ceremonial, economic records, letters, legal records, wills, and inventories. The authors employ a variety of methods, including prosopography, economic history, visual analysis, network analysis, and gift exchange, and the collection is engaged with current political, sociological, anthropological, gender, and feminist theories.
Royal households --- Kings and rulers, Medieval --- Castles --- Châteaux --- Feudal castles --- Architecture --- Architecture, Medieval --- Fortification --- Kings and rulers --- Households --- Medieval kings and rulers --- History --- Europe --- Court and courtiers. --- History of Europe --- anno 500-1499 --- anno 1500-1599 --- Kings and rulers, Medieval. --- History.
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kunstgeschiedenis --- art history --- Architecture --- architectural theory --- architectuurtheorie --- Viollet-le-Duc, Eugène-Emmanuel --- Bouwkunst --- Dictionnaires --- Woordenboeken --- Dictionnaire --- Architecte --- Viollet-le-duc, Eugène --- 19e siècle --- #TCBA --- #TCBA 72.01 Architectuuresthetica, -theorie --- 72.03 --- Viollet-le-Duc, Eugène --- 72.01 --- 030.8 --- 030.1 --- architectuur --- architecten --- architectuurgeschiedenis --- naslagwerk --- bloemlezing --- Frankrijk --- classicisme --- negentiende eeuw --- ruimtelijke ordening --- neostijlen --- eclecticisme --- neogotiek --- rationalisme --- Viollet-Le-Duc Eugène --- 72 --- 72.071 VIOLLET-LE-DUC --- 723 --- Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden --- Architectuur (theorie) --- Architectuurtheorie --- Architectuurgeschiedenis --- Architectuur (geschiedenis) --- Lexica --- Encyclopedieën --- Arts Architecture Medieval 300-1400 --- Architecture, Medieval --- Architecture, Renaissance --- Dictionaries --- French. --- Dictionaries. --- 72.03 Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden --- 72.07 --- 72(038) --- Architecten. Stedenbouwkundigen A - Z --- Architectuur ; theorie, filosofie, esthetica --- Architectuur ; woordenboeken --- CDL --- Viollet-le-duc, eugène-emmanuel (1814-1879)
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The military nobility – 'signori di castelli', lords of castles – formed an important component of the society of Renaissance Italy, although they have often been disregarded by historians, or treated as an anomaly. In Barons and Castellans: The Military Nobility of Renaissance Italy , Christine Shaw provides the first comparative study of “lords of castles”, great and small, throughout Italy, examining their military and political significance, and how their roles changed during the Italian Wars. Her main focus is on their military resources and how they deployed them in public and private wars, in pursuit of their own interests and in the service of others, and on how their military weight affected their political standing and influence.
History of Italy --- anno 1200-1499 --- anno 1500-1599 --- Renaissance --- Nobility --- Landowners --- Castles --- Noblesse --- Propriétaires fonciers --- Châteaux --- History --- Histoire --- Italy --- Italie --- History, Military --- Politics and government --- Social conditions --- Histoire militaire --- Politique et gouvernement --- Conditions sociales --- Propriétaires fonciers --- Châteaux --- Feudal castles --- Architecture --- Architecture, Medieval --- Fortification --- Landholders --- Owners of land --- Land tenure --- Noble class --- Noble families --- Nobles (Social class) --- Peerage --- Upper class --- Aristocracy (Social class) --- Titles of honor and nobility
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This book offers a novel perspective on one of the most important monuments of French Gothic architecture, the Sainte-Chapelle, constructed in Paris by King Louis IX of France between 1239 and 1248 especially to hold and to celebrate Christ's Crown of Thorns. Meredith Cohen argues that the chapel's architecture, decoration, and use conveyed the notion of sacral kingship to its audience in Paris and in greater Europe, thereby implicitly elevating the French king to the level of suzerain, and establishing an early visual precedent for the political theories of royal sovereignty and French absolutism. By setting the chapel within its broader urban and royal contexts, this book offers new insight into royal representation and the rise of Paris as a political and cultural capital in the thirteenth century.
Religious architecture --- High Gothic --- sovereignty --- History of civilization --- royal palaces --- patronage --- Louis IX [King of France] --- anno 1200-1299 --- Paris --- Architecture, High Gothic --- Symbolism in architecture --- Sovereignty --- Architecture --- Symbolisme en architecture --- Souveraineté --- Religious aspects --- Gothique rayonnant --- Aspect religieux --- Louis --- Art patronage. --- Sainte-Chapelle (Paris, France) --- France --- Paris (France) --- Kings and rulers --- Religious aspects. --- Buildings, structures, etc. --- Rois et souverains --- Constructions --- Louis IX (roi de France ; 1214-1270) --- Souveraineté --- Architectural symbolism --- Signs and symbols in architecture --- Architecture, Classical Gothic --- Architecture, Gothic --- Classical Gothic architecture --- High Gothic architecture --- Architecture, Medieval --- Christianity. --- Classical Gothic --- Ludovik --- Luwīs al-Tāsiʻ, --- Louis, --- Ludwig, --- Ludovicus, --- Paris. --- Sainte Chapelle royal de Paris --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- architectuur, Frankrijk --- religieuze architectuur
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